Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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MAITANI, Lorenzo
Facade of the Cathedral dh

ID: 08033

MAITANI, Lorenzo Facade of the Cathedral dh
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MAITANI, Lorenzo Facade of the Cathedral dh


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MAITANI, Lorenzo

Italian Gothic Era Sculptor and Architect, ca.1255-1330  Related Paintings of MAITANI, Lorenzo :. | Girls Putting Flowers in their Hats | den franske officern overste paul flatter underhandlar med tuareghovdingar | judith | Farinata degli Uberti | filip ii av spanien med gyllene skinnets ordenstecken |
Related Artists:
Nicolae Grigorescu
Romanian Painter, 1838-1907 From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.
Hugo Knorr
painted Ostseestrand in 1880
Bartolomeo Suardi
c. 1465?C1530,was an Italian painter and architect, mainly active in his native Milan. He was born in Milan, the son of Alberto Suardi, but his biography remains unclear, and was long complicated by two "Pseudo-Bramantinos". He was trained by Donato Bramante, adopting a diminutive form of his master's name. This training gave him influences from by the Urbino quattrocento tradition of immobile realism, and later he assimilated some elements of the style of Leonardo, after he arrived in Milan, although in other respects he remained faithful to his training in the style of Central Italy. He is documented in late 1508 as helping in the decoration of the Vatican Stanze though nothing remains of his work there, and by 1509 he was back in Milan. His style changed considerably during his career, and also shows strongly individual traits. His main influences were the serene and sometimes unnatural quietist classicism of Piero della Francesca, Leonardo da Vinci, and Ercole de' Roberti






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